Buddhas and Deities

In Mahayana Buddhism, the universe is populated with celestial buddhas, bodhisattvas, and deities that assist and inspire the Buddhist practitioner. Among the most popular are Kuan Yin, the Medicine Buddha, the Laughing Buddha and the Green and White Taras. These and other fascinating figures are explored in this section. Buddha and Deity Jewelry

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Dorje,Vajra

Definition: The 'dorje' or 'vajra' is a diamond (but can also be translated as thunderbolt). It symbolizes what are seen to be essential qualities of Buddhism. Just as the diamond is hard, so the Buddha's teachings are indestructible. The power of the thunderbolt is similar to the power of the Buddha's message that has the power to cut through ignorance and lead all beings to enlightenment.

Tibetan Leather Jewelry Boxes

Leather boxes look beautiful just like wooden boxes, but their smooth texture is an extra added bonus. We have many shapes and styles, ranging from the pillow-shaped boxes that the Chinese used as actual pillows rather than the soft versions we use today, to smaller card boxes, to larger boxes that are great as jewelry boxes or for storing other small items. Our leather jewelry boxes are handmade and painted by hand.



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bottom of the chin. Vertically, the face can be divided into quinti-sections or "Five Eyes"- the distance between two eyes shall be the length of one eye, and the vertical distance between the outer canthus and the external opening of the ear shall be also the length of one eye. In addition, sweet dimples in the cheeks, or Jiuwo, literally a pit of wines in Chinese, are definitely a plus for female charm.

 

 

     

     

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We have a wide range of Tibetan jewellery that include Tibetan gaus and other sacred pendants.

A gau is a unique type of amulet in which Tibetans keep small sacred items. Often these will be pieces of blessed medicine; thread or fabric blessed by a revered lama; sacred texts or mantras, pills made by high lamas (black hat pills, made only by the Karmapa, carry a very strong and powerful blessing); small pictures of deities and other precious items. It is traditional to ask a Lama to bless and fill your gau with sacred items. This is then said to have great power to protect the wearer from all manner of obstacles.

All the gaus in our collection are made by hand in Nepal by Tibetan and Nepalese artisans.

 

 

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Amulets

Amulets



This section will now include Thogchag (both old and more recent) and older Tibetan amulets and gaus. For more jewellery please visit our 'Sacred Jewellery' section by scrolling down to the right of this page.

Thogchag are worn by Tibetans and Himalayan peoples for their protective and sometimes healing properties. A Thogchag may appear in the form of a deity, Buddhist symbol, mantra or ritual Buddhist tools such as a vajra or phurba. Others may simply be ancient arrow points, buckles, body armor or even old horse trappings.Thogchag can be made from a combination of meteorite, bronze and other metals. Some pre-buddhist pieces are believed to be nearly 3000 years old and may have originated from Persia. In the Himalayan regions, Thogchag are known as 'stones of the sky fire'. This is because some rare pieces are thought to be made from meteorite (Tibetan: Namchak) or created from lightning strikes. It also suggests that their power is not of this world. In Tibetan Medicine, Thogchag are believed to have healing properties and are sometimes prescribed to heal certain ailments.

Ancient and older Thogchag pieces are becoming increasingly difficult to find and very rare amulets can command thousands of dollars. We offer a selection of pendants that are both old and more recent. We do not believe them to be ancient or made from genuine meteorite. We are also unable to authenticate their exact age and place of maufacture, however, all pieces are sourced from Tibetan traders in the Himalayan regions of India and Nepal.

The gaus that we have on offer are sourced in Tibet, the Himalayan Kingdom of Nepal and some pieces come via Mongolia. These are genuine older pieces. Some may include old clay Tsa Tsa's or small Rupas. Again we are unable to authenticate their exact age.
 

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Tshatsha: An Exotic Flower of Tibetan Buddhist Art

Tshatsha: An Exotic Flower of Tibetan Buddhist Art                                          

Tshatsha, a literal translation from a Sanskrit word which means "copy" in English, stands for small clay sculptures cut from a mold, including mini-statues of Buddha, stupas or Buddhist scriptures. Usually, they are put inside large stupas or special shrines (tsha-kang). They can also be found on top of Mani stones flanked by prayer flags along tracks, on the revered snow-peaks or in sacred caves. The Tibetans carry them in small amulet boxes to guard against evil.

Tshatshas are believed to have come from India together with Buddhism. Although most tshatshas are made of clay, there are also wooden or stone ones. The former are used to fill the stupas, with some are placed on top of the Mani stones or in special shrines, while most of the latter are placed in Buddhist shrines or altars.

Tshatshas, whether ancient or modern, generally fall into two categories in terms of their forms: relief sculptures, including high and low reliefs, made with a one-sided mold; and round sculptures that are made with a double- sided mold.

To make a tshatsha, first a mold, an indispensable item known as tsha-shi-gong in Tibetan, has to be made. Most molds are made of bronze or brass, and those made of porcelain, paper, or wood are rare and hence especially precious.

Once the mold is made, one can begin to make a clay tshatsha, a process that has been compared to working with the popular children's toy of plasticene (named after the famous trademark).

First step, a lump of clay is stuffed into the mold after being rolled into a clay pie. Then, a pit is made within which several grains of the highland barley (grown in Tibet and Qinghai in West China) are placed. The process, known as filling the scripture (Zhuangzang in Chinese), is believed to be able to give superhuman strength to the clay sculptures. Next, the clay is pressed so that its surface will be smooth and the design pattern clear. A pedestal is modeled by hand in the third step.


When all the above is done, the moist clay tshatsha is taken out from the mold and placed in sunshine to dry off, completing the process. This is called the lost wax method, which was considered the most advanced technique more than a millennium ago. It is still in use today to make delicate modern sculptures and replicas of antiques.

Since all the tshatshas are molded, they are not too large in size, hence their name "little statues of Buddha". By far, the largest one of those excavated measures no more than an inch in both width and height and the smallest one is no larger than a thumbnail. In most cases, they are about 9 centimeters in width and 7 in height. Though small, tshatsha serves the same purposes as other Buddhist forms, such as the mural painting and thangka. Buddhists recognize them as symbols of Buddhist merits, and use them to express their adoration and reverence for the Buddha, and their explanation of and devotion to the Buddhist doctrines, as well as their aspiration for riches and honor.

The tshatshas are colored with traditional Tibetan pigment, which is in fact a kind of mineral paint traditionally made by mixing different amounts of minerals so that they still retain their bright original colors after hundreds of years.

Though made with the same techniques, tshatshas vary greatly from place to place. Tshatshas found in the stupas in Jiama County, dating back to over 600 years ago in the Yuan Dynasty (1271-1368 AD), feature three-dimensional patterns in high relief; details like figures and background decorations are also emphasized. The most distinctive aspect of these tshatshas is their large size, as most of them are 10 cm high and 8 cm wide, with the largest reaching as much as 26 cm in height and 20 cm in width. These tshatshas are believed to be of great value for the research on the Tibetan Buddhist art in the Yuan Dynasty.

Compared with tshatshas found in other places, those found in Xialu Temple are said to be unique and worthy of collection, as they have the largest variety in terms of the ages, the patterns and the styles as well as the colors.


Tshatshas also abound in Sajia Temple, and are famed for their delicacy and exquisiteness. Most of them are burned into colors such as red, gray or black. There are also tshatshas with two colors, an uncommon feature.

In the Northern Sajia Temple, tshatshas with typical Indian or Nepalese artistic features can be found, which were put in the stupas when the temple was built nearly a thousand years ago. Therefore, they are referred to as having matchless artistic and historical value.

Due to its long history and unique artistic charm as well as the mysterious cultural implications, tshatsha has grown into a special category, arousing the interests of numerous experts, artists and collectors. Over the years, tshatshas, with its rich implications, various design patterns, long history and different artistic styles have become a treasured collectible item.
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Count beads and pray to Buddha

Dzi beads, or 'god beads', are common accessories for Tibetan people, both old and young. Many elderly people carry a string of them in hand as Buddha beads and count them while praying to the Buddha. Young people also wear them around their necks, wrists and waists for luck, photo by baidu.com. 

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Tibetan ornaments: Ethnic charm unleashed

Tibetan ornaments also convey a culture. Many of the Tibetan silver bracelets are carved with the six-syllable mantra ("Om Mani Padme Hum"), which in Tibetan Buddhism is believed to have the ability to eliminate disease, fear of death, prolong life and increase wealth. Some pendants are in the design of Vajra, which in Buddhism is a ritual instrument for subduing demons, believed to dispel all sins and bring people power, courage, and intelligence. Amulets are often silver or bronze small boxes inlaid with pearls or precious stones and are used to contain clay or metal images of Buddha, Tibetan pills, Buddhist paintings or photos of a living Buddha. Another example is Tibetan opals, which fall into 12 categories according to the number of cat's-eyes one contains, each representing a particular meaning. For example, a one-eye opal represents brightness and wisdom, and a two-eye opal represents harmonious marital relationship and happy family life.

 

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A brief introduction to Tibetan carpets

According to different sizes, those larger than 18 square feet are called carpet, while smaller ones are called kardian. Loved by Tibetan people, kardian is a necessity of every family for both decoration and practical use. As demand increases, the production scale is getting larger. In addition to the carpet factories in Lhasa, Gyangze, Qamdo, Xigaze, Zetang and Nagqu, many counties and towns have also established carpet plants and processing teams. The Gyangze Carpet Factory has increased its variety from the original eight to 50 kinds, and its annual output has increased at an average rate of 56 percent. With the increase of quantity and the improvement of technique, new designs are continuously created. Now there are not only designs of two dragons playing with a pearl, pictures of mountains and water, dragons and clouds, dragons and phoenix, and other traditional designs, but also landscape designs such as Mount Qomolangma, the Great Wall, the Nanjing Yangtze River Bridge, the Potala Palace and Gyangze's Anti-British Castle, as well as the new face of grassland. Carpets are well sold both at home and abroad, and Tibet boasts natural advantages in developing carpet production, so Tibet's carpet has a promising future.

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The Bell and Dorje, or thunderbolt, are inseparable ritual objects in Tibetan Buddhism. They are always used in combination during religious ceremonies.

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Busy putting vegetables onto their stands for sale, vendors begin their business very early in the morning.

 

Every type of farm product grown around the country can be found here.

 

The market is divided into different sections for vegetables, meat, and other foods.

 

55-year-old Lao Pan is one of the most successful stallholders in the market. After starting independently, he now has his wife, daughter, son and daughter-in-law involved in the business. Now, he's got eight stands in the market, and business is growing bigger.

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